Thank you for reading the second chapter of Throwing Down Both Gauntlets. The name comes from the adage "throwing down the gauntlet" which means ready for a figurative fight. Throwing Down Both Gauntlets is to denote the intensity of Bronte's determination in the face of unimaginable odds. My research on life in Haiti has bred respect in me for its people. I read "But isn't Haiti Dangerous?" a blog by two charity workers who live there, and it drastically altered what I expected to find in this learning and writing process, and what I was willing to look for. I hope you'll take the time to read it too. It is posted on the Polysha Foundation's Facebook page as well, so you can look for it and other goodies there, too. Enjoy! :)
Throwing Down Both Gauntlets,
Continued . . .
The pain was welling up again, and Bronte fought down the tears, Not NOW! She shouted within herself, I cannot show weakness now. No way, not at all. She took slow, deep breaths of the putrid air. Some vagabonds had evidently relieved themselves near here. Something had also died nearby, by the odor of it. The stench was terrible, and Bronte was frightened. She remembered the eight precious faces staring at her after dinner last night, raising no questions, no doubts. They were all completely convinced she could do as she said. She had to keep going, she had to.
Throwing Down Both Gauntlets,
Continued . . .
The pain was welling up again, and Bronte fought down the tears, Not NOW! She shouted within herself, I cannot show weakness now. No way, not at all. She took slow, deep breaths of the putrid air. Some vagabonds had evidently relieved themselves near here. Something had also died nearby, by the odor of it. The stench was terrible, and Bronte was frightened. She remembered the eight precious faces staring at her after dinner last night, raising no questions, no doubts. They were all completely convinced she could do as she said. She had to keep going, she had to.
And she would.
Suddenly, a
large, calloused hand
grabbed her arm, startling her. She turned, gasping,
and saw a tall, kind-faced man smiling
down at her. He was of
average
build, except for his height,
and looked about forty or so. He had a birthmark, an indentation
running down one side of his face, shaped like the blade of a scythe.
He wore a white shirt and faded green trousers. “Let me walk with
you, ma'am,” he said, “It isn't good to be out here alone. What
is your name?”
“Bronte,” she
replied, returning his smile, “I am going to look for work in the
factories.”
“Well, hello
Bronte. My name is Patrick. I know of two or three people that are
said to be looking for seamstresses. Can you sew?”
“Yes! Certainly!” She reached up to fix her kerchief. The wind had suddenly come up and attempted to blow it right off of her head.
“Yes! Certainly!” She reached up to fix her kerchief. The wind had suddenly come up and attempted to blow it right off of her head.
“I am looking
for job openings myself. I work at Permashelter,
but there is talk of a layoff, very soon.” Bronte was moved for
him. Seydou had been beside himself when there was talk of a layoff
at his company. He had barely slept for weeks. It was always hard on
all the men and their families to hear such news. Sometimes not
knowing was even worse than knowing that you were going to loose your
job.
“Oh! I am sorry to hear that." Bronte put her hand to her mouth in distress, "Do you have children?”
“Oh! I am sorry to hear that." Bronte put her hand to her mouth in distress, "Do you have children?”
“Yes,”
Patrick replied proudly, “Three. Two boys and a girl.”
“I have four boys and four girls. They all attend school, the ones that are old enough,” Bronte's chest stuck out with pride, “And I am going to keep them there.”
They began to walk together, toward a clothing factory about twelve more blocks away. Tents were everywhere. At times, they had to excuse themselves and step over individuals reposing on the edge of the street.
“What part of town do you live in?” Patrick inquired, as they passed the collapsed remains of a large apartment complex.
“On the North side, between Mon Repos 44 and Mon Repos 42. How about you?”
“I have four boys and four girls. They all attend school, the ones that are old enough,” Bronte's chest stuck out with pride, “And I am going to keep them there.”
They began to walk together, toward a clothing factory about twelve more blocks away. Tents were everywhere. At times, they had to excuse themselves and step over individuals reposing on the edge of the street.
“What part of town do you live in?” Patrick inquired, as they passed the collapsed remains of a large apartment complex.
“On the North side, between Mon Repos 44 and Mon Repos 42. How about you?”
“I live on the
East side, off of Therlonge and North Dupre.
I'm just just a bit to the west of the intersection.”
“Oh! I know
where that is!” Bronte's eyes lit up, “My husband's family used
to live near there, just a few blocks out.” The wind was to the
back of them now, making her kerchief stick up behind her head and
billow strangely. At least it helped speed them along.
They soon found themselves at the
facilities of the Webster, Webster and Cohen Ltd. clothing production
plant. Patrick applied for warehouse work in case his position at
Permashelter was eliminated. The pay wouldn't be as much, but if
worse came to worse, it would be much better than nothing. Bronte
applied to be a seamstress. Her experience would put her legal
minimum pay-rate at about 25 Gourdes, or $0.75 USD, per hour. A
meager salary, to say the least, but a start.
“I hope your job at Permashelter
proves to be steady,” she said sincerely, adjusting her kerchief
again as they exited the building together.
“And I wish you the best of luck in
your seamstress work,” Patrick responded emphatically. “By the
way, did you embroider that beautiful orchid on your
blouse yourself?”
“Yes,” she blushed, “I finished
it a few weeks ago.”
“You are remarkably skilled!”
Patrick's eyes were wide, “If you would, please write down your
address. I will tell the people in my church about your abilities.
Maybe someone will know where you can pick up some extra work.”
Bronte was so touched, she had to put
in considerable effort to control her emotions. “Thank you,” she
said again, keeping most of the tremble out of her voice.
Patrick's smile was comforting. Bronte
was very thankful she had found a new friend.
* * *
It had been an eventful day. On the
way home, Bronte had stopped at a couple of other clothing companies
and applied. She had an interview scheduled, three days away, at the
Yin Yeung Cho Corporation.
It was
almost time for the other children to come home when Bronte stepped
across her threshold with a satisfied sigh. It was wonderful to be home and she
looked forward to being surrounded by her children again.The Lamarre's house had
no lights. When the sun was up, the house was lit by opening the
door, and the kitchen window also gave light to prepare food by. Little Guerda's hair was all in braids, courtesy of Fredeline's
exceptional skill. Ritha's hair was, at the moment, amusing. One side
was in braids, some of which were tied together in preparation for an
elaborate up-do, like her younger sister had. Some of the braids were
shaking loose from their bonds, making a big, bouncy lump on the side
of her head which flopped about as she ran and jumped and danced
around the little house. The other side of her hair had several
sections separated and brushed straight out in preparation for
braiding. Because of gravity and Ritha's rambunctiousness, though,
these were now looking quite wilted. All except for one that is – it
stuck straight out the side of her smiley little head like a
tenacious black spike. Fredeline was waving a towel frantically at
the cook stove.
“What's wrong?” Bronte inquired.
“The grease caught fire,”
Fredeline replied, beating at the oven with the towel.
Bronte darted over to her dear
friend's side so quickly it seemed she had wings and flew there. The
fire was almost out already. It had not spread far. Bronte turned her
attention back to Guerda and Ritha. Just then, Fredeline's son,
Toussaint, started crying loudly.
“What's the matter, little
Toussaint?” Bronte asked in her most indulgent, cutesy voice,
slowing her words for greater effect. Little eighteen month old Toussaint
continued to wail as if he had not heard anything. Bronte picked him
up and held him. After a few moments, he calmed down. Toussaint had
short, fuzzy hair that had taken unusually long to come in, and large
eyes that were usually bright with joy and interest. He wore an
orange shirt and nothing else.
Fredeline came back from the oven,
wiping her hands. “The fire's out,” she said, sounding tired.
* * *
Over dinner, which today consisted of
rice and a few vegetables, Fredeline and Bronte did most of the
talking. They were discussing how to grow various crops together in
the small strip of very poor soil the Lamarre's had by their house.
They discussed the feasibility of different crops: apricots, avocado,
banana, cantaloupe, plantain, pomegranate, potato, pumpkin, cassava,
beans, guava, papaya, Plate de Haiti Tomato, and yam. Fredeline said it was ok to
put the little garden in near the tree. “You need pigeon peas,
badly. The soil here is in such bad shape, like mine was. They put
something into the soil, called nitrogen, and this can heal the soil
so it can grow food for you better. You can grow them with the beans,
and it will help the soil and maybe even grow the beans better. If
you get the vine-type of Plate de Haiti Tomato, it can climb the
beans and the peas.”
“Is there anything I can do to
help?” Emanuel asked, “I'm strong, I can lift things, even if
it's heavy.”
“We will need your strength,
Emanuel, a lot. Especially in the beginning. I will explain your
situation to some of my friends, and we will bring you a strong
shovel, a pick if we can get one. The ground has to be broken to let
seeds in.
“The soil can barely feed the tree.
Look at it.” Elsie said, sounding mildly frustrated.
“The tree will begin to do better
when the soil gets better. The Peas will make the soil better. It
takes time. You will get a crop the first year, but not a big one and
it may not be good to eat it, if chemicals from the cars on the
street have gotten on it. The peas will take the chemicals out over
the winter months. When we do it like that, we call it a cover crop.
Cover crops heal the soil by taking out the evil things in it and
putting in good things.”
“What can I do to help?” Elsie
asked, as tears threatened to spill down her cheeks. This started a
cacophony of the same inquiry from the most of the other children,
which in turn brought wails of discontent from little Guerda. Bronte
took Guerda outside to calm her, trusting Fredeline to be
able to delegate tasks, since she was the only one who had a clue
what they were going to be doing.
She looked out across the narrow
street, crowded with small, saggy houses and tents, and the
intermittent brick ruins standing out garishly among them. She
wondered how this new life she had to make would work. At times, it
seemed crazy to hope, but hope was what kept the world of good people
turning. Evil of every sort grew out of giving up, and Bronte was
determined never to do that.
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